With Major Motoko Kusanagi missing, Section 9's Batou is assigned to investigate a string of gruesome murders—seemingly at the hands of faulty gynoids, or sex robots. But when a faulty gynoid leaves Batou a cryptic message, he begins to question the cause of their malfunctions. Suspicions of politically motivated murder and an illegal "ghost" quickly crop up, drawing Batou and his partner Togusa into a perilous web of conspiracy.

As their investigation goes on, the line between man and machine continues to blur, and reality and perception become indistinguishable. Confronting strange and dangerous foes, Batou and Togusa explore a futuristic world filled with machines and living dolls but utterly devoid of humanity.

[Written by MAL Rewrite]

Having won the 63rd National Sensha-dou tournament, the girls from Ooarai High managed to prevent their school from closure by the Japanese Ministry of Education. However, new troubles loom on the horizon: a ministry official argues that the deal was not legally binding and that the Ooarai school carrier is to be decommissioned. Students and their families are frustrated with this injustice and overwhelmed with despair; it seems little can be done to save the school.

Their last glimmer of hope is a proposed match against the All-Stars University Sensha-dou team, consisting of the most talented students from all over the country. Despite Ooarai being severely outnumbered and clearly outclassed, they accept the challenge.

[Written by MAL Rewrite]

Maquia is a member of a special race called the Iorph—mystical beings who can live for hundreds of years and remain separate from the lives and daily troubles of mankind. However, Maquia has always felt lonely despite being surrounded by her people, as she was orphaned from a young age. She daydreams about the outside world, but dares not travel from her home due to the warnings of the clan's chief.

One day however, the outside world finds her, as the power-hungry kingdom of Mezarte invades her homeland. They already have what is left of the giant dragons, the Renato, under their control, and now their king wishes to add the immortality of the Iorph to his bloodline.

The humans and their Renato ravage the Iorph homeland and kill most of its inhabitants. Caught in the midst of the attack, Maquia is carried off by one of the Renato that has gone berserk. It soon dies, and she is left deserted in a forest far from home, now truly alone save for the cries of a single baby off in the distance. Maquia finds the baby in a destroyed village and decides to raise him as her own, naming him Ariel. Although she knows nothing of the human world, how to raise a child that ages much faster than her, or how to live with the smoldering loneliness inside, she is determined to make it all work somehow.

[Written by MAL Rewrite]

At the turn of the millennium, Ginei Studio's dilapidated buildings are set to be demolished. Ex-employee and filmmaker Genya Tachibana decides to honor this occasion with a commemorative documentary about the company's star actress: Chiyoko Fujiwara, the reclusive sweetheart of Shouwa Era cinema. Having finally obtained permission to interview the retired starlet, an enamored Genya drags along cynical cameraman Kyouji Ida to meet her, ready to put his lifelong idol back in the spotlight once more.

Hidden in this secluded mountain retreat is a thousand years of history condensed into one lifetime, waiting to be narrated. Chiyoko's recollections take them on an illusionary journey through Japanese cinematic history that transcends the boundaries of reality; the saga of her acting career intertwines with her filmography, the actors in her life blend seamlessly with the characters on screen, and the present melds with the past. Though the actress may have retired at the height of her career 30 years ago, the curtain on her life's stage has yet to fall.

[Written by MAL Rewrite]